EKON

Festival of Kontemporary Sound & Performing Arts was set up to explore a whole new range of artistic possibilities across different art forms and help develop partnerships among artists and audiences through the lens of Greek culture. It aims to be a dynamic force for new, experimental and alternative art practices.

EKON Festival proposes original approaches to Greek culture. It brings exclusively to London audiences some of the most interesting audio-visual productions emerging from the Greek-inspired world today with some of the finest and most innovative international artists of the 20th and 21st centuries who combine live art with current technologies to push the boundaries of artistic expression.

The festival is interested in exploring ways in which different art forms open a dialogue with one another across cultures. Its events range from dance theatre to multi-media performance, from cabaret to shadow theatre, from experimental sounds to popular instrumentals, from electronics to installation.

Ekon Festival is a non-profit cultural organisation which aims to promote:

  • Awareness: To organise an annual festival with a diverse and multi-faceted programme of performances and other art-related events that offer an insight to contemporary Greek culture in a stimulating environment
  • Cultural Interaction: To offer a platform for artists and performers of varied backgrounds to exchange ideas, socialise and share learning of their craft through active involvement in an artistic enterprise
  • Development: To contribute to the dynamism of contemporary Greek culture by inviting original and creative approaches that reveal its rich potential for the world arts scene
  • Inspiration: To endorse fresh talent and originality by commissioning new work, promoting opportunities for innovative quality projects and supporting progression in the arts. To engage the UK international audience and young arts patrons and to provide for them an enjoyable experience of the wealth and diversity of Greek culture

Its vision is to be one of the most exciting and innovative festivals of contemporary sound and performing arts in the UK, presenting arts of high standard to the widest possible audience, showcasing contemporary Greek culture within a broader international context, and encouraging public participation in the arts.

EKON 2011-2012

Historically, the Olympic Games united the ancient Greek world, promoting a spirit of peaceful co-existence. The 2012 London Olympics propose, no less ambitiously, to create an athletic and cultural legacy in a globalised climate of political, economic and social re-negotiation. The controversial French law on the veil and the Greek plans to erect a wall along the Turkish borders are two prominent examples of re-negotiated space, whether facial or geo-political, with significant cultural implications. At the same time, the implementation of spending cuts has driven the arts to re-negotiate their standing and justify their social relevance.

Taking up these challenges, EKON Festival will be presenting its 2012 Olympics programme, to begin in 2011 and centring around the theme

CROSSOVERS

Of new bodies and re-negotiated spaces

For 2011, the festival will be moving beyond binary distinctions, such as male/female, homosexual/heterosexual, fake/true, human/mechanical, to examine the notion of queerness and the assemblage of new bodies as reflected in gender and language. Some of the ideas to be explored are transgression, ambivalence or silence.

For 2012, we will be looking at ways in which the notion of ‘foreignness’ as the site for the (de)construction of identity informs cultural and geo-political approaches to the theme. A number of ideas to be explored are reception and interception, exile, movement of population, asylum, dissidence and the exercise of power, or new forms of war.

The provisional dates are: November 2011 and May 2012.

We are accepting applications for the Olympics EKON Festival 2012 in the fields of contemporary sound, dance and performance, multi-media/installation, and combined arts.

Applications are invited from individual artists and groups (a) of Greek background and (b) of other cultural or linguistic background whose work explores or reinterprets or is inspired by aspects of Greek culture in relation to the umbrella theme of ‘CROSSOVERS’. We are also interested in collaborative projects by Greek and non-Greek artists who meet the above criteria.

For more information about how to apply, please contact us at submissions@ekon.org.uk

EKON ARTS FESTIVAL 2010

EKON 2010
ELECTRIC WAVES
19–20 November 2010, Riverside Studios, London
28 November 2010, Theatro Technis, London

EKON Festival presents its third and best yet international programme of contemporary productions emerging from the Greek world today: an electrifying journey through live art, dance theatre, multi-media performance, contemporary classical music, operatic staged performance, experimental and electronic music, sound installation and audio-visual experiences.

The 2010 EKON Festival brings a refreshingly new approach to Greek music and performing arts. Enjoy the diversity of contemporary Greek culture with some of the most innovative and prominent artists of the 20th and 21st centuries who have come together for this annual celebration; all driven by a desire to experiment, to create something new. This promises to be a riot of a festival where the word ‘greek’ takes on a whole new meaning.

We are sailing away to unchartered seas… at the heart of an urban landscape. We’ll be taking you on a journey of exploration amid the circuits of change and transformation; of disposable images and uncertain finales; even of what lies beyond ‘normality’. An electrifying journey through dance theatre, visual and live art, multi-media performance, contemporary classical music, operatic staged performance, alternative and electronic music, audio-visual experiences and musical improvisation.

Join us in for our after-Festival party, in the Riverside Studios Bar on 20th November and the foyer of Theatro Technis on 28th November, for a taste of Greek food and wine offered.

Art-Syndicate & The Erasers @ EKON 2010

Photo copyright© Art-syndicate.org & The-Erasers

First Love Playback, 20.30

NOVEMBER 2010 RIVERSIDE STUDIOS LONDON

Art- Syndicate

Founding Director: Emmanouil Koutsourelis

FirstLovePlaybackEmmanouilKoutsourelis

Text: Samuel Beckett – Thanos Stathopoulos
Concept/Direction: Emmanouil Koutsourelis
Choreography: Apostolia Papadamaki
Animation Graphics: Alexandros Psychoulis
Music: Konstantinos Vita
Sound designer/Technical engineer: Voltnoi Brege
Featuring: George Kakanakis

Whatever breathes in this show is darkness.

Where does a journey back to the first love of our life take us? What shadows inhabit our dreams? Where do we draw the line between reality and illusion, human and mechanical, performance and performer?

Combining two different texts – Samuel Beckett’s story First Love and Thanos Stathopoulos’ Playback – the play follows its protagonist as he reflects on his first love and talks about the dimension of time, the nature of things, and the isolation of existence even in an erotic encounter. Produced in a two-dimensional space where light and shadow interplay, speech converses with animation graphics, and on-stage characters interact with on-screen projected images, ‘First Love Playback’ is a multi-media production in which action, motion, music, and lighting are all filtered through the use of technology and modern audio-visual media.

Cutting-edge Greek theatre director, choreographer and performer Emmanouil Koutsourelis has created an engaging and ingenious piece of visual theatre which offers a total experience of performance and demands the spectator’s full presence.

‘An inimitable venture that dissolves and subverts all theatre conventions… A theatre experience for all the senses.’ – TimeOut, Athens

‘Emmanouil Koutsourelis’s use of multimedia opens up new possibilities for the theatre.’ – Investor’s World

Photo copyright© Art-syndicate.org & The Erasers http://theerasers.blogspot.com/

Photo copyright© Art-syndicate.org & The Erasers

 

Levantes Dance Theatre

Friday 19 November 2010
Theatre
Venue: Riverside Theatre, London

TwoPeasinSoupLevantesDanceTheatre2Two Peas without a Pod, 19.00

Levantes Dance Theatre

TwoPeasinSoupLevantesDanceTheatre

Directed by Eleni Edipidi, Bethanie Harrison
Multimedia artist: Gopan Iyadurai
Costume designer: Vassilia Rozana
Costume maker: Voula Kritikou
Stage manager: Kleoniki Edipidi
Featuring: Eleni Edipidi, Bethanie Harrison, Martin Collins plus guest performers

How, why, where, when and who we find ourselves synchronizing with can be a mystery; our compulsion to duet our way through life, a life-long fascination.

Fluid and vibrant, ‘Two Peas without a Pod’ explores the essence of partnership and the dynamics of co–dependency and competitiveness. Audiences are taken on an indulgent trip to discover the make-up and contradictions of human connections, observing the draw of coupling, how society’s structures stem from this principle and how varying and fascinating these partnerships can be. The absurd and the familiar are married together with set and flamboyant costume in this fantastical cocoon of colourful activity.

Award-winning Levantes Dance Theatre consists of innovative practitioners Bethanie Harrison and Eleni Edipidi who combine contemporary dance theatre practices with visual and live art. Familiar mechanics of pedestrian routine are regularly woven into choreography to develop penetrable, peculiar and often humorous landscapes.

‘They use dance as a simple yet enlightening method of communication.’ – Metro

‘We need more artists like this.’ – Silke Arnold, Creative Projects Manager East London Dance

 

Etten

I know you are behind me but I’m not scared

Etten

IknowyouarebehindmebutImnotscared2a

Making her London debut with a unique live performance!
Electronica and alternative Greek singer/songwriter Etten will be performing songs from her first award-winning solo album entitled ‘I know you’re behind me but I’m not scared’. Produced by two of the most significant electronic producers in Greece, Coti K. and Mikael Delta, the album received great reviews from music critics and publications. Etten’s compositions are based on electronic, electric and acoustic elements. The final outcome is a combination of sublime melodies, synthetic rhythms and multi-layered vocal lines. Her live performance is a unique experience, with a lot of masterfully sonic, theatrical and visual elements.
Following her 7-year collaboration with Greek indie band ‘Film’, Etten (aka Eleni Tzavara) embarked on a solo career. She has collaborated with some of the best and most important Greek artists of electronic music including the iconic Lena Platonos and Chris Nemmo. She has composed music for art exhibitions, dance-theatre performances and has also participated in theatre plays.
Etten’s collaborators on stage are:
Marilena Orfanou – Keyboards, Vocals
Nikos Mardakes – Guitars, effects
Vangelis Mousikas – Electric drums, percussion
‘Etten turns her back on what is considered to be the safe way and she is capable of truly beautiful things.’ – Postwave.gr
‘Her aesthetics flirt with extreme fantasy twists – almost like comics that turned into songs.’ – Jumpingfish.gr

 

Mohammad

Saturday 20 November 2010
Electronic Music, 19.45
Venue: Riverside Theatre, London http://www.riversidestudios.co.uk/
Greek avant-guard music from new generation Mohammad and Etten, plus special guest appearance,
in a programme that blends experimental sounds and electronics with visual elements and current technologies.

Mohammad-Mohammad

Coti K. – Contra-bass
ILIOS – Oscillators
Nikos Veliotis – Cello

Mohammad

Powerful, gorgeous, breath-taking music!

Through constant adjustments in their sound palette, MOHAMMAD’s music flirts with opposites from experimental heavy drones and noise to distant folk nuances, pushing the boundaries of sound through the use of unorthodox techniques. From the unusual, slightly provocative group name to the offsetting of some of the most beautiful music generated against strange little tunes, this is a concert that refuses to play to type leaving the listener intrigued and wanting more.

MOHAMMAD is the project of Greek musicians extraordinaire Coti K., ILIOS and Nikos Veliotis. Having all worked separately in the experimental field, they decided to join forces in order to explore the principles of inter-modulation using contra-bass (Coti K.), oscillators (ILIOS) and cello (Nikos Veliotis).

‘Haunting, echoing noise and a long sustained tone that creates multiple reverbs in the room’ – Wire, April 2010

‘Veliotis is the Greek emperor of the restrained cello’ Sound Projector

Shonorities

Shonorities

 

Music: Gyorgy Kurtag, Basil Athanasiadis
Choreographer: Sarah Fahie
Featuring: vocalist Shie Shoji and violinist Stelios Chatziiosifidis

A clock. A hammock. A violin. Inspired by the idea of ‘thought fragments’ conveyed via Kafka’s diaries and also prevalent in the Japanese haiku poem, ‘Music Iris’ explores the notion of impermanence that is implicit in birth and death. This fusion of opera and musical theatre is a staged performance of new works by Gyorgy Kurtag and Basil Athanasiadis that involves stage action, puppetry and dance, beautifully choreographed by Sarah Fahie.

Based on a cross-cultural foundation, Shonorities is a diverse group of performers and composers whose repertoire encompasses a wide spectrum of musical styles both traditional and contemporary. By blending a variety of musical cultures, the group explores east/west cultural connections. They often collaborate with choreographers, dancers and lighting designers to produce a vibrant musical experience combined with elements of theatrical presentation.

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